Archive item of the month: June 2022
Giovanni Bononcini (Modena, 18 July 1670 – Vienna, 9 July, 1747)
Read More»Archive item of the month: May 2022
Arthur Sullivan (London, 13 May 1842 – London, 22 November 1900) singer, organist, conductor and composer
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Archive Item of the Month: March 2022
Peter von Winter (Mannheim bap. 28 August 1754 – Munich, 17 October 1825)
Read More»Archive of the Month – February 2022
Felix Mendelssohn Bartholdy (Hamburg, 3 February 1809 – Leipzig, 4 November 1847)
A letter from the composer Mendelssohn to one of his English contemporaries, the composer and educator, George Alexander Macfarren (1813-1887, Member A384). Mendelssohn, noted for his Bach scholarship, his friendships with the British Royal Family, his compositions as well as performance as a keyboardist and conductor, is here seen to be promoting “new music”. The letter reveals Mendelssohn’s involvement with performing contemporary British orchestral music within his own concert planning in Leipzig at a subscription series of concerts over the winter months, conducted by him at the Gewandhaus in Leipzig. The period August-September 1846 was Mendelssohn’s ninth trip to England. The trip included rehearsals, in London, for his oratorio Elijah which was first performed on 26 August at the Birmingham Musical Festival.
Read More»Archive of the Month – January 2022
John Parry (Denbigh, 18 February 1776 – London, 8 April 1851, Member A264)
Circle of Thomas Lawrence (1769-1830); ca 1835.
Read More»Archive Item of the Month – December 2021
Gaetano Crivelli (Brescia, 1768 – Brescia, 1836)
The Italian tenor Gaetano Crivelli made his debut in 1794 in his home town of Brescia. He sang throughout Italy and studied with Giuseppe Aprile (1732-1813) who was also a teacher of the Irish tenor Michael Kelly (1762-1826) amongst many other famous singers of the period. Crivelli sang in the first performance in Italy of W.A. Mozart’s La clemenza di Tito (KV 621) in 1809 at the Teatro di San Carlo in Naples. After a period singing in Paris, from 1811, he performed in London during the 1817-1818 season at the King’s Theatre, in which he sang in Cimarosa’s Penelope, Paer’s Griselda, and in Mozart’s Così fan tutte and La clemenza di Tito, as well as the first London performance of Don Giovanni.
Read More»Archive Item of the Month – November 2021
Charles Edward Horn (London, 21 June, 1786 – Boston, U.S.A., 21 October 1849), singer and composer
After starting his musical career playing cello and double bass in London theatre orchestras Horn studied singing with Thomas Welsh (ca 1780-1848). Welsh had been a child chorister at Wells Cathedral, sang at the Bath concerts and appeared in London between 1792-1795. When Welsh’s voice broke he continued his musical studies with Johann Baptist Cramer (1771-1858), Karl Friedrich Baumgarten (ca 1740-1824) and Charles Frederick Horn (1762-1830), the father of C.E. Horn. Apparently Welsh had a powerful bass voice, was a Gentleman of the Chapel Royal, and wrote much stage music although is known for creating himself a niche as a noted singing teacher. His pupils included some famous English singers of the period namely the tenor John Sinclair (1791-1857), the soprano Catherine Stephens (1794-1882), the soprano Jane Shirreff (1811-1883), C.E. Horn and Mary Ann Wilson (1802-1867).
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