Archive item of the month – September 2020
Samuel Coleridge-Taylor (London 15 August 1875 – London 1 September 1912)
Two early songs by the composer Samuel Coleridge-Taylor.
Samuel Coleridge-Taylor was a violin student at the Royal College of Music (RCM) from 1890, starting composition lessons with Charles Villiers Stanford in 1892 and receiving an open scholarship in the following year. His studies ended at the RCM in 1897 and his contemporaries had included other famous composers such as Ralph Vaughan Williams, Gustav Holst, John Ireland, Frank Bridge and William Hurlstone.
Read More»Archive item of the month – August 2020
Alfred Mellon
(London 7 April, 1820 – London 27 March 1867, RSM Member A469): violinist, conductor and composer.
Plaster bust (1862) of Alfred Mellon by George James Somerton Miller (d.1876).
Read More»Archive item of the month – July 2020
Music Festivals in Britain
The eighteenth century saw the foundation of many private and public music societies. In the earlier part of the century, the majority of commercial aspects of public performances were primarily the result of theatre seasons, with the Lenten oratorio season for non-staged performances (with texts of religious content) drawing the biggest potential audiences. In 1715, the cathedral choirs of Hereford, Gloucester and Worcester established the “Music Meeting” which became the Three Choirs Festival. Music festivals began across England, including Salisbury (1740), Birmingham (1768), and Norwich (1788). However, the real catalyst for the further expansion of this new commercial and/or philanthropic genre was the “Handel Commemoration” in London in 1784. This festival of Handel’s music was on a scale not seen before, and was reported across the country and beyond through many newspaper advertisements and accounts. In the following year, Charles Burney’s An Account of the Musical Performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784, in Commemoration of Handel was “Printed for the Benefit of the Musical Fund” (or “Fund for Decay’d Musicians” as The Royal Society of Musicians was then known). Burney’s lavishly produced Account was published in London, a smaller one in Dublin and in a German translation by Johann Joachim Eschenburg (1743-1820) printed in Berlin in the same year (Nachricht von George Friedrich Händel’s Lebensumständen, und der ihm zu London im Mai und Jun. 1784 angestellten Gedächtnissfeyer / Karl Burney, aus dem Englischen übersetzt vom Johann Joachim Eschenburg).
Read More»Archive item of the month – June 2020
William Hayman Cummings
(Sidbury 22 August, 1831 – London 6 June, 1916, RSM Member 00457): performer, collector, composer, academic and administrator
Oil painting of W.H. Cummings in doctoral robes by F.G.A. Butler (active 1900-1918).
Read More»Archive Item of the Month – May 2020
George Frideric Handel (1685-1759) and musicians in time of hardship or misfortune
Half-length portrait from the circle of William Hogarth (1697-1764): mid eighteenth century.
Read More»RSM Coronavirus Support Network
Many of those within the profession are not only suffering financially but are also feeling cut off from colleagues and friends. Consequently RSM Members have volunteered to set up a telephone support network to help their fellow professional musicians through these very difficult times.
So, if you are feeling a bit isolated or anxious or you would just appreciate a chat with another musician, perhaps once a week or so, we warmly invite you to join the RSM Support Network. We will then be able to ‘match’ you with an RSM Member (or Members) who will call you. (You can, of course, opt out at any point.)
The Royal Society of Musicians has been doing all it can to support the profession during this crisis. In addition to setting up the Support Network, we have contributed £500,000 to the Help Musicians Coronavirus Fund.
We also continue to distribute grants to those affected by illness or accident, as well as welcoming new Members every month. For more information please contact us.
Major contribution provides emergency aid via the Help Musicians Coronavirus Financial Hardship Fund
Friday March 27 – The Royal Society of Musicians (RSM), Britain’s oldest music charity, has today announced a £500,000 contribution to musicians suffering financial hardship, to be distributed through the Help Musicians Coronavirus Financial Hardship Fund, the vital emergency relief fund from UK charity Help Musicians.
Recognising the strength in collaboration and the unprecedented immediate need in the music community, RSM has taken this proactive step to mobilise funds in order to support even more musicians facing immediate financial crisis in the current climate.
The £5m Help Musicians Coronavirus Financial Hardship Fund was launched on Wednesday March 25 as a direct response to the challenging and uncertain landscape for musicians. The Fund offers a one-off payment of £500 per applicant and is to be used to alleviate some of the immediate pressure on musicians to meet their household expenses.
As a direct result of RSM’s action, an additional 1,000 will receive financial hardship support.
The Fund is available to UK professional working musicians and is applied for via an online form. Read the full eligibility criteria and application process on the Help Musicians website here.
Charlotte Penton-Smith, Chief Executive, The Royal Society of Musicians of Great Britain, commented: “We are delighted to be working with Help Musicians to support those whose lives have been affected by the Coronavirus pandemic. Being Britain’s oldest music charity it is of utmost importance that we do all we can to help the profession at what is, such a challenging and uncertain time.”
James Ainscough, Help Musicians CEO, said: “It is only through collaboration that we can begin to make progress in meeting the needs of our music community right now. We are incredibly grateful to our longstanding friends at The Royal Society of Musicians for recognising the value of the Help Musicians Coronavirus Financial Hardship Fund and further bolstering its ability to reach more musicians. The impact of Coronavirus on musicians lives and careers is unprecedented, and now more than ever we need as much support as possible to provide meaningful help for those in need.”
About the Help Musicians Coronavirus Financial Hardship Fund:
Applications for this fund are submitted through an online form and offers a one-off payment of £500 per applicant. We regret that, because of the demand we anticipate, we cannot at this stage commit to making more than one payment to any individual from this temporary financial hardship fund as a result of the coronavirus. We encourage musicians only to apply if they are indeed suffering significant financial hardship to enable us to provide help quickly to those who need it the most. As the Help Musicians team continue to deal with an increased number of enquiries for support and advice please can we ask you not to ring the team in relation to your application to this fund.
Further help and advice is from across the profession is available at: http://www.coronamusicians.info/
Archive Item of the Month – April 2020
George Frideric Handel (1685-1759) and Water Music, HWV348-350
The oldest surviving score of Handel’s Water Music. London: ca 1717-1719.
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